Please note: The following text contains spoilers. Viewer discretion is also advised – News of The World is rated ‘12’. For more details on the film’s content from a Christian perspective, read Focus on The Family’s review from Plugged In:

https://www.pluggedin.com/movie-reviews/news-of-the-world-2020/

Captain Kidd (Tom Hanks): “Good evening. My name is Captain Jefferson Kyle Kidd, and it is an honour to be back in the bustling city of Dallas. A busy town, and y’all are busy folk, so let’s get right to it. Now, when I got in yesterday, I collected the latest newspapers, looking for suitable readings, something to take us away from our troubles…”

In a recent interview for the Directors Guild of America, directors Paul Greengrass (the Bourne series) and John Madden spent time discussing Paul’s latest film, News of The World – a distinctly classical Western in the John Ford style, but also one of genuine, contemporary resonance for today’s world. In essence, however, this is a relatively simple tale in which a lonely orator named Captain Kidd (Tom Hanks), travels from town to town reading the news of current affairs in 1870’s Texas, in the aftermath of the American Civil War.

In the aforementioned podcast, Paul explains that Hanks’ character journeys across a harsh, “broken landscape”, marred by the effects of “bitterness and division”, “violence and anger”, but comes to find that his “stories connect people” – even in the face of cholera outbreaks, or the threat of violence erupting between former confederates and unionists. In escaping trouble on more than one occasion, it almost seems as if Kidd was specially appointed and granted protection for this difficult, largely unrewarding task – but one which frequently brings “good news to the poor” and a sense of “liberty” to “those who are oppressed” (Luke 4:18, NLT), within the towns that he visits. Perhaps the film should be retitled then, as: “Vital News for The People of The World” …?

News of The World opens quietly and without self-important fanfare, as Hanks’ Captain Kidd (a former member of the Confederate Army) dresses and prepares himself for the evening’s news recital. People are seen gathering in a dimly lit barn, throwing ten cents into a small pot (the price of admission), and taking a seat on the pre-arranged chairs. Soon enough, Kidd steps out from a makeshift dressing room to greet his audience and moves towards a stage from which he will read the news. Following a brief word of welcome to his patrons, he introduces his performance thusly:

“Now, I know how life is in these parts, working a trade sunup to sundown. No time for reading newspapers. Am I correct? Let me do that work for you. And maybe, just for tonight, we can escape our troubles, and hear of the great changes that are happening out there.”

Whilst watching this opening scene, it became apparent to me that Kidd’s traveling newscast somewhat resembled a church service – in terms of space and general focus. It featured a stage (an altar, if you will), seating, a pot for the ‘offering’ and the delivery of a message which Kidd believes will bring hope to the weary souls of a small town who feel cut off from the rest of the world – a service not delivered solely for profit then, but because he wants to help them escape their present troubles. And such a comparison is not ill-founded, as Kidd later delivers the news inside of an actual church, from behind the pulpit itself. In that instance, certain items of news bring grumbling from amongst the confederate patrons, who then seek to blame such bad news upon the unionist soldiers from within their region. Later, news of a railroad brings much rejoicing. But when Kidd speaks on the subject of federal news, tensions quickly flare and threaten to erupt into violence. Seeing an opportunity to prevent potential bloodshed, Kidd steps in to offer words of comfort, peace and empathy, that encourage unity and a turning away from unbridled anger. Their anger subsides, the patrons see the error of their ways, and peace is restored. Even in times of great difficulty, Kidd shares good news that encourages, challenges and subsequently changes people’s lives.  

Some years before him, however, a Galilean travelled from region-to-region sharing arguably more encouraging and challenging Good News than even the great Captain Kidd ever could. Of course, His name was Jesus, and He was sharing news of eternal life that could be found in God alone – a message of greater importance than any local news, of course. But the comparison between both Kidd and Jesus stands – here are two individuals whose desire is to share news they know will bring respite to the poor and beaten down, but also restoration between people. For just as Kidd is accepting of and shows love for all people throughout the film, so too is Jesus. Jesus and the message He shared was and is for all people – no matter who they are, what they’ve done, or where they come from. Throughout the Gospel accounts, we constantly see this in Jesus’ behaviour towards others when He brought full healing to lepers (Mark 1:40-45), the blind (Matthew 20:29-34), the foreigner (Mark 7:24-30), and those who were possessed (Mark 5:1-20) – all of whom were treated as outcasts by society but found themselves consistently loved and welcomed in by Him. Through Jesus’ actions, people saw and learnt that there are to be no divisions amongst humanity, because we are all able to be united as one, in Christ – teachings which the early Church continued to honour, in St. Paul’s teaching from the Book of Galatians: “There is neither Jew nor Gentile, neither slave nor free, nor is there male and female, for you are all one in Christ Jesus.” (Galatians 3:28, NIV).

Whilst we see that Kidd’s intention is to encourage restoration and reconciliation between people, the Good News which Jesus carried with Him from town-to-town, was intended to bring about the even greater, more important hope of restoration between God and man. For just as there is a distinct separation between people in News of The World, as a result of civil war, humanity is separated from God because we have fought directly against Him. Each and every one of us, the Bible teaches, have done wrong in the eyes of God and have thereby ‘sinned’ against Him, which separates us from relationship with God now and in eternity, for there is a price we must pay for our mistakes. (Romans 3:23 & 6:23). As a result of humanity’s own selfish pursuits, rejection of God and so much more, “no one is (able to be called) righteous — not even one” (Romans 3:10, NLT). Humanity cannot therefore be in friendship with the living God on earth now, or in Heaven – for He is pure, and we are impure. Even in our attempts to appease God by showing him our “righteous deeds”, He considers them to be nothing more than filthy rags before Him (Isaiah 64:6, NLT).

There is, however, Good News in Christ Jesus. How do we know this? Well, the Good News that Jesus carried with Him, delivering it so frequently and urgently, was simple, direct and vital: “The Kingdom of God is near! Repent of your sins and believe the Good News!” (Mark 1:15, NLT). Jesus maintained all throughout His ministry that humanity was in need of reconciliation with God, because our relationship with Him was broken apart by our sin. In our sinful state, we were “His enemies” (Romans 5:10, NLT), but God made a way for perfect reconciliation to be achieved. The Bible tells us when Jesus went to death on the Roman cross and rose again three days later, He paid the price for humanity’s sin – past, present and future – but also defeated the power that death has over humanity. Now, because of Jesus, “if we confess our sins to him, he is faithful and just to forgive us our sins and to cleanse us from all wickedness” (1 John 1:9, NLT), which results in the amazing gift of salvation - eternal life with God.

Whilst Kidd’s news and encouragements are positive, often bringing about a sense of peace and joy (a way to “escape our troubles” he maintains), those feelings are momentary – frontier life still remains difficult for the characters of that film, and we still endure hardships even when we experience those feelings in our present reality. But the Good News of love, joy, hope, peace and reconciliation with God for all, found in Jesus, is in fact permanent. He brings all of that and more, for all of eternity, because of His great, powerful love for us. We might receive bad news in our day-to-day, but we can put our hope and trust in the One who is greater, because He offers us permanent Good News, every day.  

Please note: The following text contains spoilers. Viewer discretion is also advised – The Emperor's New Groove is rated ‘U’. For more details on the film’s content from a Christian perspective, read Focus on The Family’s review from Plugged In:

https://www.pluggedin.com/movie-reviews/emperorsnewgroove/

Pacha: Someday, you're gonna wind up all alone, and you'll have no one to blame but yourself.
 
Kuzko: Thanks for that. I'll log that away…

Bursting onto the screen with a breathless, Looney Tunes-inspired mania, Disney’s The Emperor’s New Groove was a significant, but welcome departure from the trappings of more standard, traditional fare from the Mouse House. Despite being originally devised as a musical, this breezy, 78-minute film trades toe-tapping hits for refreshing acerbic wit, and self-referential cheek. For once, there’s more here for the parents to enjoy and chew on, I think, than the children – but that’s certainly not a bad thing. For amidst the ridiculous antics throughout (most notably, a young emperor is turned into a llama), there remains a clear message at the film’s core – a gentle warning directed toward those who are becoming prideful or self-centred. In this way, Groove shares a similarity with the Bible’s own cautionary advice regarding the aforementioned topics. But for the latter, there is a seriousness to God’s teaching that mustn’t be ignored – for the eternal consequences of our pride and self-centredness are far more unpleasant than being turned into a llama…
 
In essence, Groove features a very simple narrative: A self-centred and arrogant young emperor named Kuzco (David Spade), who has everything he could wish for and calls himself “king of the world”, is planning on building a new waterpark on the plot of a pre-existing village, as a gift to himself. How cruel, I know. Naturally, this both upsets and angers the simple llama herder and current village resident, Pacha (John Goodman). But Kuzco has also enraged his ex-administrator, Yzma (Eartha Kitt), who’s botched assassination attempt on Kuzco’s life, turns him into a llama. With only Pacha willing to protect him from Yzma’s persistent attacks and help him regain his throne (on the condition he relocates his water park), the two unlikely friends must learn how to work together, in order to make it back to the palace in one piece…  

From the get-go, the creative team behind Groove ensure that the main theme of the film is introduced, even within the very first few frames. For example, at every given opportunity, Kuzco is overheard (via narration) reminding us that we’re watching his story, or “my story”. Even when the plot is well underway and the focus might currently be placed on a secondary character, Kuzco (in breaking the fourth wall) frequently pauses the film to even remind us, the audience, who the story’s really about – most notably when he uses a red marker to circle the position of where he is located, in a given frame. Now, this is supposed to provide us with subversive, playful laughs – and indeed it does. But it also serves to highlight Kuzco’s Achilles heel: This young, impetuous man, cannot be satisfied without knowing that everything around him is working to serve or benefit him. Even when the film has already been formulated around his story, Kuzco is hellbent on making sure that he’s always the main character. It’s just as the film’s marketing material promised - “It’s all about me”.

​Sure enough, however, the film is quick (and sensible) to remind audiences that such behaviour has small, but sometimes significant consequences that even we cannot foresee. Early on, Kuzco is seen frequently undermining and undervaluing his administrator and adviser, Yzma – the person who, if he had treated well and listened to her counsel in the first place, wouldn’t have later decided to plot to kill the emperor at all. But Kuzco is so set upon ruling his way, that he cannot help but drive almost everyone away from him. Perhaps the most concerning example of this is when Kuzco arranges to meet with Pacha, to explain that his entire village is about to be bulldozed and its inhabitants made homeless, in order to make way for ‘Kuzcotopia’ – a water park belonging solely to the emperor. Pacha is naturally rendered speechless at his lack of compassion and care for his subjects:

Pacha: “But, but, um…where will *we* live?”
 
Kuzco: “Hmm. Don't know, don't care. How's that?”

Unbeknownst to Kuzco (and audiences at that moment), his harsh treatment of Pacha would come back to haunt him when he needed a person’s help most. But as painful as that moment is to watch at the time, it serves to illustrate a very real, practical and biblical point, about the dangers of being self-centred: When we’re so wrapped up in ourselves, we don’t truly see and value others, ourselves, or God. The Apostle Paul, writing in Philippians 2:3–4 (NRSV), actually taught against such behaviour when he instructed his readers to “Do nothing from selfish ambition or conceit, but in humility regard others as better than yourselves. Let each of you look not to your own interests, but to the interests of others”. Instead of being self-centred, the measure by which we look after ourselves and others is to be balanced – not tipping either to one side or the other. We’re supposed to take good care of ourselves, yes, but we were never designed to just focus on ourselves. Jesus himself preached this same message, when he stated that the second most important commandment, after loving God first, is to “…love your neighbour as yourself” (Mark 12:31, NRSV).

​Again, we are clearly called to prioritise the loving of God first, and then others, above ourselves. But the Bible teaches that humanity has chosen, time and time again, to do nothing but pursue its own selfish and wrongful desires, in the hope of being fulfilled. Whatever we wanted, we set out to pursue it – no matter the cost to ourselves or to others. And as a result of humanity following those selfish desires, we choose not to honour God or our fellow man. Therefore, “everyone has sinned” and “we all fall short of God’s glorious standard” for living (Romans 3:23, NLT). And in our self-centredness, these “sinful passions” only ever bring forth “fruit for death” (Romans 7:5, CEB), meaning that our selfish pursuits ultimately do us no good, in the eternal sense. For we know that “payment for sin is (unavoidable, spiritual) death” (Romans 6:23, NLT).

Suddenly, the draw of self-centredness seems futile. Gathering objects, making money or attempting to make ourselves happy then, seems like a truly worthless pursuit in the face of eternity. And Jesus even said as much, when he criticised the idea of trying to live a wholly, self-centred life: “Whoever tries to keep (preserve, or continually improve) his life will give up true life. But whoever gives up his life will have true life” (Luke 17:33, ICB). Here, Jesus encourages us not to pursue the things of this world, but to pursue Him first, above all things – for it is then, when we are in relationship with the God of the universe, that we will have the secure gift of eternal life, following our earthly death. And once we choose to accept Him into our lives and turn away from self-centredness with His help, we will be able to love God as we should and show compassion and love to those around us. But this is only made possible through the sacrifice of Jesus Christ, who was sent to earth to die for us on the cross, taking the penalty that we deserved for our self-centredness – when we sinned against God and others, without a single care - in order to set us free from death itself: “For God made Christ, who never sinned, to be the offering for our sin, so that we could be made right with God through Christ” (2 Corinthians 5:21, NLT).

Whilst Kuzco inevitably changes his ways by journeying alongside and thereby coming to understand Pacha’s position, as both a humble man and a loving father, we need to ensure that we come to that same position through becoming a friend of Jesus instead - asking Him to forgive us of our self-centredness, help us change our ways and grow the trait of humility within our lives. Most positively, Kuzco’s life illuminate for us that the self-centred life – one of service to ‘things’ and our own desires – is only ever a solitary one. But life in community, with God first and then others, brings present and eternal joy. Thankfully, we don’t need to go on a lengthy journey like Kuzco to find a ‘new groove’ – we need only come to Jesus today and watch Him transform our lives forever.

Challenge:
 
Why not prayerfully invite a friend or family member who doesn’t yet know Jesus, to watch The Emperor's New Groove? Use the film’s themes to ask them what they thought of the film, if they spotted any links to Christianity and what they might think of the Gospel’s response to this subject.
 
If you feel able to, ask them what they think about the film’s view of self-centredness and just pursuing one’s own desires, over another’s. How did they feel watching Kuzco act in such a way, at the beginning of the film? Might he have been entitled to, simply because he was the emperor? Or, should have he attempted to be more compassionate towards his subjects? Ask them what they thought of Kuzco’s treatment of Pacha, and the issue of building his water park on their land – was he aware of the gravity of the situation? If so, how? Do they think that Kuzco could have found a better way to communicate with the people around him? If so, how?
 
Later prompt them to consider their own lives and ask whether they’ve ever been self-centred. Do they believe that it was misguided? Did it have a negative impact upon their life? Why? Go on to share that we are not created to live lives of self-dedication, because we will lose sight of god and of our fellow man. Ultimately, a lifestyle such as this will lead us to live in isolation from others and also from God – presently, and eternally: “Whoever tries to keep (preserve, or continually improve) his life will give up true life. But whoever gives up his life will have true life” (Luke 17:33, ICB).

Take the opportunity to share the hope of the Gospel message with them – noting that God is the only One we should be centred upon. For when we love God with all our hearts, we can then be better prepared to love and serve others from a place of compassion and care, which will draw us away from ourselves, and into community with God and those around us – not towards a spiritual dead end, when we reach the end of our lives. Then, invite them (if you feel prompted to by God) to consider accepting Jesus into their life today.
 
Prior to watching the film for yourself, however, take a moment to pray that God would speak to you through the film. If you feel comfortable, pray this prayer over all of your future, film-watching experiences:
 
Dear Lord, as I watch this film, I ask that you would be present here with me. Highlight to me anything within it that is honourable, anything that can be used in conversation for your Kingdom purposes. Amen.
 
The Emperor's New Groove is currently available to stream on Disney+.
​

Shocking, I know, but consider for a moment the manner in which Godzilla is revealed during this film to have been deified throughout ancient history - as the one who is even said to be able bring an “…essential balance to our world”, and particularly to its environment which we, as humans, have caused significant harm. But such idolatrous reverence for the beast even continues on in the present, throughout this crazed Hollywood spectacle, to the point in which characters put their faith and trust in Godzilla to save them. In acknowledging Godzilla as the alpha (or “King”) of an “ancient and forgotten superspecies”, the humans choose to side with him by joining the fight against a couple of terrifying foes including King Ghidorah and Rodan . I wonder then, what would they make of God if he stood before them instead of Godzilla?

With the plot largely based around scientists who work for the mysterious (and sometimes shady) scientific organisation Monarch, King of The Monsters often plays heavily into the studying of titans like Godzilla. Various characters are often seen tracking and monitoring the titans’ behaviour, health and movements, with a view to control them, but other scientists do so out of sheer reverence and awe. One such character, Dr. Ishiro Serizawa (Ken Watanabe), believes Godzilla (or “Gojira”) to be a potentially dangerous force beyond our comprehension – one who cannot be corralled or manipulated into doing the bidding of humanity. Instead, Serizawa proposes that humanity should abandon its hubristic leanings, and take on a posture of reverence and fear towards this beast and others, partly because in the presence of such god-like beings, their human power and reach is miniscule. But mainly, Serizawa understands that Godzilla isn’t a mindless killing machine – rather, he’s something more entirely.  

​In the film’s final act, Serizawa tells his team that humanity’s survival can only be secured, if they treat Godzilla with reverence and place their faith in him, instead of simply fearing him: “He fought for us. Died for us. He’s not only proof that coexistence is possible. He is…the key to it.” It’s one of the film’s more touching moments, not least because these are Serizawa’s parting words, spoken before he sacrifices himself to save humanity. But they ring true, because this reveals a certain Christological subtext which links nicely into the subject of reverence and fear. For when the humans decide to humbly join with Godzilla in his fight against a three-headed monster (one who brings to mind images from The Book of Revelation, especially when the creature stands threateningly before a cross of Christ), the two species are revealed to then be able to live and work in peace with one another.
 
And the same can be argued for humanity’s relationship with God. When we come to recognise all that God, in His boundless power, could do to humanity in punishing us for the wrong we have committed against Him (just as the humans did to Godzilla), we should honestly count ourselves unworthy to know or even consider drawing close to Him. Especially since “everyone has sinned” (Romans 3:23, NLT) and “the wages of sin is death” (Romans 6:23, ESV), by God’s holy standards. But humanity can choose to rejoice in the knowledge that God has chosen to not only let us live but receive access to His mercy and forgiveness. Why? Because He loves us, and this “is how we know what love is: Jesus Christ laid down his life for us” (1 John 3:16, NIV) on the Cross, and rose to life three days later, having defeated the barrier of sin, death and darkness which prevented us from drawing close to God and lead only to eternal death. Not only can we live in relationship with Him today, but we can draw close and live alongside Him as close friends. And the film does a very good job of depicting such a relationship: In Serizawa’s final moments, he stands before a resting Godzilla who awakens as the man places the palm of his hand, upon his snout. It’s a terrifying moment, but one which encapsulates beautifully, how we fear God for His awesome power, but can love and draw close to Him because with that same power, He also cares for us and promises to do so for all those who accept Him into their life. Long live the One, true King.

Challenge:
 
Why not prayerfully invite a friend or family member who doesn’t yet know Jesus, to watch Godzilla: King of the Monsters? Use the film’s themes to ask them what they thought of the film, if they spotted any links to Christianity and what they might think of the Gospel’s response to this subject.

If you feel able to, ask them what they think about the film’s view of reverence and fear for Godzilla. What does it mean to have reverence for something? Did they feel that there was a clear distinction made in the film, between fearing something and having a deep reverence for it? Did they fear Godzilla more than feel for him? If God became real for them in an awesome way, would they fear Him, or be in awe of Him, or both? Would they consider even drawing close to Him? Do they think they would even be worthy enough to come close to Him?
 
Later, prompt them to consider their own views of a relationship between God and humanity. Take the opportunity to share the hope of the Gospel message with them – noting that God, because of the sacrifice of His one and only Son, Jesus, we can draw close to Him even though we deserve to be apart, because of our many sins. And be sure to clarify that whilst the film’s characters live in an unhealthy fear of these god-like creatures, we can abandon that fear and embrace the love of God that He wants to share abundantly with them today. Then, invite them (if you feel prompted to by God) to consider accepting Jesus into their life today.

Prior to watching the film for yourself, however, take a moment to pray that God would speak to you through the film. If you feel comfortable, pray this prayer over all of your future, film-watching experiences:
 
Dear Lord, as I watch this film, I ask that you would be present here with me. Highlight to me anything within it that is honourable, anything that can be used in conversation for your Kingdom purposes. Amen.
 
Godzilla: King of the Monsters is currently available to purchase online in the U.K. through Amazon Prime Video, AppleTV, Sky Store and YouTube.
​

Please note: The following text contains spoilers. Viewer discretion is also advised – Master and Commander: The Far Side of the World is rated ‘12’. For more details on the film’s content from a Christian perspective, read Focus on The Family’s review from Plugged In:

https://www.pluggedin.com/movie-reviews/masterandcommanderthefarsideoftheworld/

Twitter is… an interesting place to say the least. It’s a world-renowned platform known for hosting spirited online discourse, the occasional “Why would you say something so controversial yet so brave?” comments, and its own fair share of throwdowns between celebrities and their peers, or sometimes with the general public too. Most recently, Russel Crowe - Maximus Decimus Meridius himself – responded to a member of the public who claimed that Crowe’s sea naval epic, Master and Commander, was rather sleep-inducing. Naturally, he wasn’t having any of it:

​“That’s the problem with kids these days. No focus. Peter Weir’s film is brilliant. An exacting, detail oriented, epic tale of fidelity to Empire & service, regardless of the cost. Incredible cinematography by Russell Boyd & a majestic soundtrack. Definitely an adult’s movie.”

Now, one might understandably find fault with Crowe’s response which leads with a cheeky jibe. But nevertheless, his re-appraisal is, in my mind, spot-on. Weir’s film is a completely immersive experience which welcomes you into the crew of the Royal Navy’s HMS Surprise, captained by Jack Aubrey (Crowe), and never once docks for port. It is also, as Crowe indicated, a “tale of fidelity to (the) Empire & service, regardless of the cost” – a constantly fascinating motif, which prompted me to dwell upon what it means to pledge true fealty to someone or something, and at what cost. Before long though, such ruminations and promptings from the Lord led me to see comparisons with biblical teaching and reflect upon the question of who I show complete fealty to in my life, and why.

​In His word, the Bible, God desires that those who seek to be in relationship with Him should express loyalty as noted in the words of Jesus, commonly known as ‘The Great Commandment’: “…love the Lord your God with all your heart, and with all your soul, and with all your mind, and with all your strength.’ The second is this, ‘You shall love your neighbour as yourself.’ There is no other commandment greater than these.” (Mark 12:29-31, NRSV). However, such loyalty is to be expressed from a place love. For God, in His relationship with those who love Him, has shown steadfast loyalty which will always come from a place of love:“…neither death, nor life…nor anything else in all creation, will be able to separate us from the love of God in Christ Jesus our Lord.” (Romans 8:38-39, NRSV). God, in His great love and mercy, promises His loyalty and commitment to all who dedicate themselves to Him, but also offer their hope and trust too. But throughout our lives, who might we have pledged our loyalty to, or where might it currently be misplaced?

The Bible teaches that humanity, by and large, has pledged its loyalty to selfish, sinful pursuits which are ultimately, in the grand scheme of life, just as unimportant, harmful and foolish as Captain Aubrey’s pursuit of the Acheron. Why? In having chosen to direct our devotion towards the world and away from God, we become distracted and unaware of the relationship God wishes to have with us, His creation. In Him, we find a “…fortress where I will not be shaken” (Psalm 62:8, NLT), “peace with God through our Lord Jesus Christ” (Romans 5:1, NIV) and so much more. However, leading a life of sin – committing wrongful doings in the eyes of God – leaves us devoid of such blessings. And nobody is innocent, for the Bible tells us that “everyone has sinned; we all fall short of God’s glorious standard” (Romans 3:23, NLT). Instead of pursuing a life of devoted relationship to the Lord, humanity chooses devotion to the devil, who keeps enslaved all who do wrong in the eyes of God: “Jesus replied, “I tell you the truth, everyone who sins is a slave of sin.” (John 8:34, NLT).  
As a result of living such a lifestyle, we invite darkness into our lives (which hurts ourselves/others) and rebel against God – for which the consequences are eternal. If we don’t seek forgiveness for our mistakes, and choose to no longer dedicate our lives to sin, we will spend eternity suffering the consequences for it: “And they will go away into eternal punishment, but the righteous will go into eternal life.” (Matthew 25:46, NLT).

In a sense, we are all like Captain Aubrey. For our complete devotion to the things of this world has only distracted us from that which is most important – a relationship with God, yes, but also the people in our lives, and the goodness which abounds within it. In one fairly distressing moment, Jack condemns a man to death who was flung overboard, in order to potentially save the ship, but primarily continue to chase the Acheron. Later, he also neglects his best friend’s interests in world-changing, illuminating scientific pursuits, to chase something which might just claim their lives. And in that way, we have all chased our own version of the Acheron – the unwavering devoting of our lives to that which brings only momentary triumphs, but also present and eternal consequences. For Jesus himself said, “…what do you benefit if you gain the whole world but lose your own soul?” (Mark 8:36, NLT).
​

Thankfully, however, there is Good News for all in Christ Jesus. Though we have turned our backs on God and chosen to pledge our allegiance to our own selfish desires and those of the enemy’s, God is loving and merciful to those who want to change – He’s eager to forgive us all of our sins! For whilst Romans 6:23 (KJV) states "…the wages of sin is (eternal) death”, God became a human being in the person of Jesus Christ to die for us on the cross, taking the penalty that we deserved in order to set us free from death itself: “For God made Christ, who never sinned, to be the offering for our sin, so that we could be made right with God through Christ” (2 Corinthians 5:21, NLT). But Jesus rose from the dead proclaiming victory over sin and death, which means that today, we can be relinquished from worthless devotion and service to this world, which only distracts us from God and leads to eternal death. We no longer need chase anything or anyone, but only enter into life-giving friendship with the God of the universe, who longs to give us infinitely more than we could ever have hoped for: eternal life with Him in Heaven (John 3:16-17).

Challenge:
 
Why not prayerfully invite a friend or family member who doesn’t yet know Jesus, to watch Master and Commander: The Far Side of the World? Use the film’s themes to ask them what they thought of the film, if they spotted any links to Christianity and what they might think of the Gospel’s response to this subject.
 
If you feel able to, ask them what they think about the film’s view of obsession, pledging your allegiance to something/someone, and pursuing something no matter the cost – does the film support Captain Aubrey’s exploits, or align itself more with his crewmates? Ask them what they thought of Jack’s key decisions made throughout the course of the film – was he right to prioritise the ‘mission’ over anything else? Should he have perhaps struck a greater balance between caring for his crew and chasing the Acheron?
 
Later prompt them to consider their own lives and ask whether they’ve devoted themselves to or pledged their allegiance to anything before. Do they believe that it was time well spent, or time wasted – why? Go on to share that there is a present and eternal danger to devoting ourselves solely to anyone/anything but Christ – for such a lifestyle will regularly disappoint us and those we care about in the present but hurt ourselves eternally. Devotion to the world and our own selfish pursuits leads only to separation from God: “…what do you benefit if you gain the whole world but lose your own soul?” (Mark 8:36, NLT). Take the opportunity to share the hope of the Gospel message with them – noting that God is the only One we need to and should ever consider devoting our lives to serving. For in Him we can find everything our souls long for but have never been able to find, and also the promise of eternity spent in relationship with Him in Heaven. Then, invite them (if you feel prompted to by God) to consider accepting Jesus into their life today.
 
Prior to watching the film for yourself, however, take a moment to pray that God would speak to you through the film. If you feel comfortable, pray this prayer over all of your future, film-watching experiences:
 
Dear Lord, as I watch this film, I ask that you would be present here with me. Highlight to me anything within it that is honourable, anything that can be used in conversation for your Kingdom purposes. Amen.
 
Master and Commander: The Far Side of the World is currently available to rent on a variety of platforms, including Amazon Video, YouTube and AppleTV.
​

​Please note: The following text contains spoilers. Viewer discretion is also advised – National Treasure is rated ‘PG’. For more details on the film’s content from a Christian perspective, read Focus on The Family’s review from Plugged In:

https://www.pluggedin.com/movie-reviews/nationaltreasure/
 
Who would have thought that producer Jerry Bruckheimer, famed purveyor of high-octane, cinematic thrill rides such as Con Air or Top Gun, would ever turn his eye to cinema of the family friendly variety? But in the early 2000s, Bruckheimer did just that, in partnering with Disney to deliver the wildly successful, first instalment of the never-ending Pirates of the Caribbean franchise, and National Treasure – an action-adventure extravaganza. Whilst the latter draws logical comparisons to the Indiana Jones franchise, this is arguably nuttier and sillier than anything Mr. Spielberg has ever devised and put to film.

For starters, it features *the* Nicolas Cage as a ‘historian’, treasure hunter and amateur cryptologist named Ben Gates, who, throughout the course of the film, steals the Declaration of Independence (he prefers to say “borrowed”), because he believes that displayed upon it is a coded map, which will lead him to untold riches. Now if I believed in gambling, this is the sort of film in which I’d encourage people to place high bets on where they think the ridiculous, plot-by-numbers is going to take them next – for they themselves might be led to quite a treasure. And yet, in spite of the film’s various weaknesses, it frequently extolls and promotes virtues of real worth: choosing generosity over greed or being quick to forgive those who wrong you.

Perhaps the film’s most important principle, however, is that of its warning towards those who may be obsessively drawn towards treasure, or in our reality, materialism, voiced by Ben’s father, Patrick Gates (Jon Voight). As the film’s moral compass, Patrick frequently reminds Ben (and by extension, his companions) not to “waste your life” by pursuing a treasure which so many of his family’s predecessors have squandered their life searching for, thereby neglecting family and that which is generally most important in life. Of course, Ben finds a way to twist Patrick’s arm, otherwise the film’s glaring lack of adventure would be irritating, and it most certainly wouldn’t live up to its name. But Patrick’s reservations aren’t unfounded – he has a job, a house, family and responsibilities which require his attention. Unlike Ben, Patrick understands that life cannot simply be one long, obsessive treasure hunt – it isn’t at all honouring to the people around you, or yourself. In fact, it isn’t honouring to God.

The Bible teaches that humanity is not to be preoccupied or obsessed with the things of this world. Rather, we are His creation, and our eyes are to point heavenward, looking to Him for His leading and guidance for our lives here on earth. So, when we lose focus of that which is important - a relationship with the Most High God - we replace it with inferior substitutes and thereby dishonour God’s holy name. We might not ever intend to do this, but how are we to “love the Lord your God with all your heart, all your soul, and all your strength” (Deuteronomy 6:5, NLT) if we’re fixated on something else entirely? It simply isn’t possible. In His Word, God teaches that He is the One who alone deserves our utmost attention.

Whilst Ben Gates has no discernible faith or belief in God, the film’s screenwriters donate small sections of the film to taking the character of Ben on a journey, from being wholly obnoxious and ignorant of other people, to a place in which he discovers first-hand through the actions of his former associate, Ian Howe (Sean Bean), that the tireless pursuit of substance is entirely corruptible, when Ian betrays Ben and attempts to take his life. Throughout the film, either men’s methods of obtaining various artifacts are artfully juxtaposed against one another: Ben’s reasoning and methods for ‘borrowing’ the Declaration of Independence are honourable (he’s trying to save the artifact it from damage or destruction), whilst Ian’s is wholly criminal, exemplified in him caring very little for those who he hurts in the process, just as long as he can become rich. Such experiences lead Ben to protect others, rather than his own interests – thereby putting the discovery of the treasure at risk, but not the safety of his family and friends. He chooses not to make an idol of the treasure or his profession, and instead focusses upon that which is truly important.
 
It’s as if Ben comes to discover a sense of the biblical position upon wealth, throughout the course of the film’s story. For example, he comes to learn that there is a dangerous lure to wealth (Mark 4:19, NLT) – one which promises much in terms of materialistic contentment, but fails to mention the emotional and spiritual cost, too. Enough is never truly enough, for Ian fails to see that whilst securing the treasure for himself promises monetary gain in the immediate, he will never truly be satisfied. Money doesn’t last forever, and a desire to gain more of it will only lead Ian to steal other artifacts too. He believes that he will be satisfied if he gained more of what he is chasing, but the Bible also teaches that “Life is not measured by how much you own” (Luke 12:15, NLT). Instead, our life is measured by whether or not we can profess to belong to the One who made us. We are called by God to be in friendship with Him – who through “His divine power”, “has given us everything needed for life and godliness” (2 Peter 1:2-4, NRSV). It is in God alone, that we can have the longings of our heart fulfilled. Not in treasure, or even in the ‘good’ things of this life. No. In Him alone. For if we turn from our sin, draw near to Him in faith and live a life dedicated to Him, we can rest in the knowledge that everything we need is at hand: “God will fully satisfy every need of yours according to his riches in glory in Christ Jesus.” (Philippians 4:19, NRSV). Ben chose not to allow his desire for riches corrupt him, whilst Ian did not. And in the end, Ben found everything he wanted and more. But how much more does God wish to give to those who turn from their sinful ways and towards Him? So much more: His gift of salvation (the promise of eternal life in Heaven), relationship with the God of the universe and His constant presence with us, every day. Now that might not be a national treasure, but it is a worldwide treasure, on offer to all, today.
​

Challenge:
 
Why not prayerfully invite a friend or family member who doesn’t yet know Jesus, to watch National Treasure? Use the film’s themes to ask them what they thought of the film, if they spotted any links to Christianity and what they might think of the Gospel’s response to this subject.

If you feel able to, ask them what they think about the film’s view of obtaining treasure on such a large scale – do they align more with the views of Ben or Patrick, in the pursuit of wealth? Ask them what they think of Patrick’s initial reasoning for not wanting to pursue searching for the treasure – did he have a point in regard to it becoming an unhealthy obsession? Do they believe that Ben was obsessed with finding the treasure, or was he just passionate? Should Ben have been more like Ian in his methods and reasoning to find the treasure, or was he right?
 
Later prompt them to consider their own view of possessions and wealth.
What do they believe to be the thing that brings fulfilment and happiness in their life? Go on to share that Jesus offers us all the lifesaving, life-changing gift of salvation, because God, through the sacrifice of Jesus, made a way for us to experience fulness of love, joy, hope and peace in Him – everything that humanity needs and more. But not only that, He gave us that which we cannot buy: the gift of salvation for all who repent for their sinful errors and turn to follow Him. For God wants us to be able to receive in Him all that we need (including salvation) and more, which is found in relationship with Him alone. Take the opportunity to share the hope of the Gospel message with them – noting that God is the One we need over ‘things’, because He saves us from the grip of darkness now, but also in eternity too. Then, invite them (if you feel prompted to by God) to consider accepting Jesus into their life today.

Prior to watching the film for yourself, however, take a moment to pray that God would speak to you through the film. If you feel comfortable, pray this prayer over all of your future, film-watching experiences:
 
Dear Lord, as I watch this film, I ask that you would be present here with me. Highlight to me anything within it that is honourable, anything that can be used in conversation for your Kingdom purposes. Amen.
 
National Treasure is currently available to stream through Disney+.
 

Please note: The following text contains spoilers. Viewer discretion is also advised – season one of Person of Interest is rated ‘15’. However, the specific episode written about below, “No Good Deed”, is rated ‘12’ (no Christian reviews are currently available for season one).
 
Yes, I can indeed confirm that this week, I have broken the sacred rules of the Faith & Film Blog in choosing to dive into a single episode of the long-running, Sci-Fi television show, Person of Interest. However, I can assure you that it was not done so without precedent. You see, whilst my family and I are lovers of cinema, we also enjoy short-form entertainment that’s quick and easy to digest, but occasionally leaves something intellectually stimulating for us to chew on – a criteria met by Person of Interest and then some.

The brainchild of Jonathan Nolan (brother to cinematic favourite Christopher Nolan), Person of Interest is a high-concept television show which artfully transcends its initially simplistic vigilante formula (think The Equalizer but more high-tech), by offering up challenging questions and entering into discussions of an ethical, philosophical and perhaps even spiritual nature…

​When described this way, you’d be forgiven for thinking that the show wasn’t especially ‘fun’, but Nolan and his creative team never forget to thrill us with countless, nail-biting scenes of hand-to-hand combat, or increasingly ridiculous feats of undercover espionage, too. At its core, however, Person of Interest tracks the adventures of John Reese (Jim Caviezel, The Passion of The Christ) and Harold Finch (Michael Emerson) - an ex-CIA operative and reclusive billionaire computer programmer, respectively. In his days as a software engineer, Finch was contracted by the United States’ government to design, build and implement technology which could detect perpetrators of acts of terrorism, before they carry them out. But with great power, comes great responsibility, and Finch predicted that the government would abuse/misuse his gift to the world. And he was right - for whilst the machine identifies those who pose a serious threat to national security by producing their social security numbers, it can also predict acts of violence committed by or against ordinary people, too. Those included within the latter category are deemed “irrelevant” by the government and cruelly left to their fate. But Finch and Reese can’t ignore the numbers and the subsequent crime statistics by simply turning a blind eye to people’s suffering. Instead, the pair team up and take a stand for the helpless, by using their very particular set of skills…
​

Generally speaking, the show is told in a simple linear structure: the machine alerts Reese and Finch to a new ‘person of interest’, the pair then investigate to determine whether they are the victim or perpetrator (easier said than done in their case), which is then closely followed by a pulse-pounding finale in which justice is neatly served with effortless cool. Such a format, whilst ultimately satisfying, could easily become tiresome, which is why Nolan intersperses the narrative with flashbacks containing information which is pivotal to the current plot, or that which develops the principal characters further. In the case of the flashbacks spread throughout “No Good Deed”, however, they serve to illuminate the show’s mantra: everyone is relevant, and everyone is worth saving.
 
The episode’s primary plot is Finch and Reese’s tailing of a spy who is currently working for the NSA and targeted for elimination. But when the spy is revealed to be coming dangerously close to discovering the Machine, it causes Finch to consider his relationship to this dangerous creation, and his once misjudged approach to the ethical implications of the work himself and his business partner, Nathan Ingram (Brett Cullen), were about to embark upon:

Ingram: (about the Machine) “Thought you would have turned this thing off by now. We turn it over (to the government) tomorrow”.
 
Finch: “I'm keeping it online as long as possible”.
 
Ingram: “The world has been spinning for 5 billion years without your machine, Harold. I'm sure it will be fine for one more night. Honestly, I'll be glad to be rid of the thing.”
 
Finch: “This ‘thing’ has already saved countless lives”.
 
Ingram: “You mean countless, relevant lives”.
 
Finch: “We had to draw the line somewhere”.
​
Ingram: “Everyone is relevant to someone”.
​

​This is one of those small, much savoured and tender character moments – one which carries on the through-line of the series’ main, thematic concern: Finch, Reese and others all desire that those who find themselves in mortal peril would be saved, because to them, these would-be victims have intrinsic worth and are valued by their families and friends. Even the villains themselves are deemed worthy of saving, which leads Reese to regularly wound, but not kill them. It’s a moving sentiment - one which the series believes wholeheartedly. It’s also one shared by God: “God wants all people to be saved. And he wants everyone to know the truth” (1 Timothy 2:4, ICB). Through sending Jesus to die for you and for me, God showed that He not only had a plan for widespread salvation, but that He had every intention of seeing it brought to fruition – the act of His children, His creation, being drawn back into friendship with Him. And this, the Bible teaches, was done out of God’s unfathomable compassion and love for people who were in need of a spiritual Saviour: “But God has shown us how much he loves us — it was while we were still sinners that Christ died for us!” (Romans 5:8, ICB).
​ 

​Even though we might not deserve God’s saving embrace or ever respond to it, Jesus still took upon himself all of our sin (the mistakes you and I have all made in God’s eyes) and destroyed its power forever, thereby making a way for us to be able to choose forgiveness, His all-embracing love and to be in friendship with Him and His Father, if we ask for it. This wasn’t completed just because He could, but because He loves us more than we can ever know. After all, a loving father would do anything to save their children from danger, wouldn’t he? And God saw that we were in dire need of being liberated – from the weight and shame of our mistakes which so often weighs us down, but also the unavoidable reality of eternal death itself. For Jesus himself once said, “unless you believe that I am who I claim to be (the Son of God), you will die in your sins” (John 8:24, NLT), and thereby become doomed to spend eternity in separation from God. But if you and I choose to follow God for the rest of our life, abandoning our wrongdoing, and “openly declare that Jesus is Lord and believe in your heart that God raised him from the dead”, “you will be saved” (Romans 10:9, NLT). And that’s something we can trust in completely, because Jesus has already taken the punishment which we deserved because of our sins, when He died in our place all those years ago. Today, we need only ask for the forgiveness of our sins and walk into friendship and freedom with Him.
 
So, whilst we read and know that God’s plan of salvation is perfect and ever dependable, we learn that Reese and Finch are often forced to accept that even they have limitations and sometimes fail to save those whom they care about. People die, and there’s nothing they can do about it. Even with the machine working at full force, they cannot account for stray bullets, or those who are perishing in other countries besides theirs. Yes, they might manage to save a large number of people, physically speaking, but they can’t save many or any, quite like God can, in the spiritual sense. For God tends to the evil, sick, wounded conditions of our hearts – Reese and Finch, however, can only tend to our physical wounds. Person of Interest does serve a great purpose though, in that it illuminates the truth that God deems all of us relevant and important enough to be saved, for whilst the scope of those who can be saved in this (albeit entertaining show) is limited by our defined realms of possibility, God is not limited by anything or anyone – salvation is made available to all worldwide, through Jesus, and so there is good reason for Christians to pray for those who do not yet know Him. And whilst Person of Interest and its central conceit is a work of fiction, we can tell others that God’s unwavering desire to love and save others, isn’t – for we can tell them, because of Jesus, “today is the day of salvation” (2 Corinthians 6:2, NLT).

Challenge:
 
Why not prayerfully invite a friend or family member who doesn’t yet know Jesus, to watch Person of Interest? Use the TV show’s themes to ask them what they thought of the film, if they spotted any links to Christianity and what they might think of the Gospel’s response to this subject.

If you feel able to, ask them what they think about this episode and it’s view on people’s intrinsic sense of worth and value. Are all people worth saving? Should Jon and Finch save everyone? Ask them what they think about the line “everyone is relevant to someone” – do they agree or disagree? Do they consider themselves to be relevant or important to someone? What about to God? If they answer yes or no, on either question, ask why.  
 
Go on to discuss the lifesaving, life-changing gift of salvation which is made available to all. Say that God, through the sacrifice of Jesus on the Cross, showed His great love for us, by making a way for anyone to choose to be saved from eternal destruction when they ask for forgiveness and turn from their mistakes. Emphasise that God is merciful, because we do not deserve to be forgiven and saved. But through sending Jesus to die for you, He lets us know that we are worth saving.
 
Now take the opportunity to share the hope of the Gospel message with them - then invite them (if you feel prompted to by God) to consider accepting Jesus into their life today.

Prior to watching the episode (or entire season) for yourself, however, take a moment to pray that God would speak to you through the film. If you feel comfortable, pray this prayer over all of your future, film or TV-watching experiences:
 
Dear Lord, as I watch this TV show, I ask that you would be present here with me. Highlight to me anything within it that is honourable, anything that can be used in conversation for your Kingdom purposes. Amen.
 
Person of Interest – Season One, including the episode “No Good Deed”, is currently available to purchase through Amazon Prime Video. ​
​

​Please note: The following text contains spoilers. Viewer discretion is also advised – this film is rated ‘U’. For more details on the film’s content from a Christian perspective, read Movie Guide’s review: https://www.movieguide.org/reviews/citizen-kane.html
 
Mr. Bernstein: “There's a lot of statues in Europe you haven't bought yet.”
 
Charles Foster Kane: “You can't blame me. They've been making statues for some two thousand years, and I've only been collecting for five.”
 
As the first Faith & Film blog post of 2021, dear readers, I must begin as I mean to go on - telling the truth no matter the cost. So, I have a confession to make: Previous to writing this article, I had never seen the ‘cinematic landmark’ that is Citizen Kane. For years, I’ve carried this fact as a sort of low-level secret shame when interacting with fellow film buffs. It’s utterly ridiculous I know, since all it means is that I haven’t seen what is frequently touted as being the ‘greatest film of all time’. But when you put it like that, perhaps it’s indeed right to call into question my credibility as a film enthusiast – but that’s ultimately for you to decide in the comments below. However, such shame no longer has a hold over me, as I recently dedicated a wintery afternoon to immersing myself in the remarkable, if troubling excess of Kane’s mansion Xanadu, and the startling relevance of comments made regarding the importance of integrity in journalism, and the validity of always printing objective truth amongst the headlines. The star of the show, however, was of course Kane himself, played with steely determination by Orson Welles. Larger-than-life and ultimately a tragic character, Kane possesses a “longing”, “hungry soul” described in Psalm 107:9 (NKJV), which led me to reflect on the only One who can satisfy a person’s deepest longings: Jesus Christ.

​Challenge:
 
Why not prayerfully invite a friend or family member who doesn’t yet know Jesus, to watch Citizen Kane? Use the film’s themes to ask them what they thought of the film, if they spotted any links to Christianity and what they might think of the Gospel’s response to this subject.

If you feel able to, ask them what they think about the film’s view of amassing great wealth – is it good or bad? Healthy or unhealthy? Ask them what they think was the reason for Kane’s downfall. Why do they think he is unhappy and lost, towards the end of the film?
Do they believe that a person can be truly happy through having all the possessions they could want, or are other things more important?
​
Prompt them to consider Kane’s loneliness – everybody leaves him when he becomes obsessed with ‘things’ and treats those closest to him as such. Do they think it’s possible that he could find happiness elsewhere? Go on to discuss the lifesaving, life-changing gift of salvation, saying that God, through the sacrifice of Jesus, showed His love for us, to make a way so that nobody would have to live apart from Him in hell, for eternity. Instead, God wants us to be able to come to Him for what we need, so we might enter into relationship and eternity with Him. Take the opportunity to share the hope of the Gospel message with them – noting that God is the One we need over ‘things’, because He saves us from the grip of darkness now, but also in eternity too. Then, invite them (if you feel prompted to by God) to consider accepting Jesus into their life today.

Prior to watching the film for yourself, however, take a moment to pray that God would speak to you through the film. If you feel comfortable, pray this prayer over all of your future, film-watching experiences:
 
Dear Lord, as I watch this film, I ask that you would be present here with me. Highlight to me anything within it that is honourable, anything that can be used in conversation for your Kingdom purposes. Amen.
 
Citizen Kane is currently available to stream through BBC iPlayer (UK only).
​

Please note: The following text contains spoilers. Viewer discretion is also advised – this film is rated ‘PG’. For more details on the film’s content, read Christian Spotlight On Entertainment’s review:

https://christiananswers.net/spotlight/movies/2000/howthegrinchstolechristmas.html  
 
The Grinch (Jim Carrey): “Max! Help me! I'm feeling!”
 
In my household, I make no apology for the fact that I prefer my Christmas films to be a little darker in tone, and anarchic in nature. For example, I adore the mean-spirited mania of Joe Dante’s Gremlins – a welcome antidote to the saccharine festive offerings we’ve come to expect from Hollywood. But each year, my family will only humour me for so long, as they often need A Charlie Brown Christmas to come along and lift our spirits too (it is the season of hope and goodwill, after all). On all of our Christmas film nights, however, I try to meet them in the middle when we’re selecting a festive film to watch. And Ron Howard’s How the Grinch Stole Christmas is that middle ground, striking an almost perfect balance between simultaneously revelling in gleeful hatred for the season, and falling head over heels in love with its message too. But more importantly, seeing as Jesus is the reason for the season, is it one of those mainstream films which covertly features Christian themes within? Not exactly…
 
The inimitable Jim Carrey stars as the Grinch, a cantankerous, reclusive creature who lives on Mount Crumpit with Max, a canine, and his only companion. His cave looms large over Whoville, a place of joy for many, but only despair for the Grinch. For he is an orphan, but also a peculiar looking individual, which made him the source of much ridicule for the people of Whoville throughout his childhood. Ostracised from the townspeople, the Grinch decided to place himself in a self-imposed exile, thinking he will be better off alone. But when Christmas comes around however, the Grinch simply cannot stand the merrymaking – the townspeople’s singing reaches him even all the way up at Mount Crumpit! Enraged, the Grinch concocts a plan to crush the Whos Christmas spirit, by stealing all of their presents, decorations and food while they're sleeping. But a chance meeting with the innocent, idealistic Cindy Lou Who, leads the Grinch to wonder whether his cold, ‘two sizes too small’ heart, might become a warmer, larger one instead…

Predictably, How the Grinch Stole Christmas becomes a redemption narrative – much like A Christmas Carol. It’s an encouraging tale of radical transformation, in which the blackest, most seemingly irredeemable of hearts, is set free of the darkness which permeated it so. But whilst A Christmas Carol posits that one’s evil behaviour may be altered of their own free will, How the Grinch Stole Christmas (almost) gets to the, ahem, heart of the issues so affecting the Grinch’s life. Unlike the source material (which leaves the reasoning for the Grinch’s actions ambiguous), Ron Howard’s film adaptation explains that the Grinch’s heart has hardened because he has never experienced love as one should. He is an orphan, who was mistreated for being different and unloved by the world around him. His anger towards others and hatred for the most joyful of seasons, derives from the sad occurrences which happened to him, his own mistakes and the fact that he hasn’t dealt with the hatred in his heart.
 
One could say that the Grinch suffers from an orphan heart, and that all he needs to be made whole is find loving acceptance from people and realise that the reason for the season is showing goodwill towards others, sharing and being part of a community – even an imperfect one such as his. But the Bible teaches that the Grinch’s issues cannot be solved by the world around him. In fact, no amount of human care and attention, or sheer determination to change one’s ways will solve the issues within the Grinch’s heart. No, the Grinch’s issues stem from the condition of his heart – not in the physical sense, but he has a spiritual issue that no amount of festive cheer or acceptance from others, will fix.
​

​It’s within our innermost being that our emotions and desires dwell – otherwise known as our heart. But God teaches in his word, the Bible, that our hearts are faulty. For internally, we are filled with darkness: “The human heart is the most deceitful of all things, and desperately wicked. Who really knows how bad it is?” (Jeremiah 17:9, NLT). Since the day humankind first decided to do wrong in Gods eyes (thereby sinning against Him), the darkness which comes about because of sin has entered into our world like a sickness, poisoning everything that was once good – including the human race. It means that our lives have been corrupted by sin – even our emotions and desires. Jesus knew this, and specifically spoke on the state of our hearts: For from within, out of a person’s heart, come evil thoughts, sexual immorality, theft, murder, adultery, greed, wickedness, deceit, lustful desires, envy, slander, pride, and foolishness.  All these vile things come from within; they are what defile you.” (Mark 7:21-23, NLT). And so, it is the same with the Grinch – for his evil actions and hatred comes from within, and so too does his longing for connection and love. But when we do wrong in the eyes of our creator, sin and darkness breaks apart the connection we’re intended to have with him. The Grinch is not only an orphan in the worldly sense, but the spiritual also. And we are also cut off from God.
 
However, the film (and original book) doesn’t reach this epiphany. Rather, upon hearing the Whos rejoicing in song with one another, despite them having had their Christmas literally snatched away from them, the Grinch comes to understand that “Christmas doesn’t come from a store”, and “perhaps…means a little bit more”. It’s then that the Grinch’s heart begins to grow, and he determines to become a new man. And so, the film’s meaning of Christmas is revealed: We save ourselves and one another, from our cantankerous, evil ways, teaching one another and learning to prioritise loving each other, instead of being preoccupied by materialism. But the Grinch hasn’t at all dealt with the root of his anger, hatred and pain. He has simply self-medicated, through responding to the Whos appeal to embrace the better side of our human condition. But as we have read, however, that isn’t always possible – darkness still stems from our very hearts and affects the way in which we live our lives.

​No, the Grinch’s only hope for true, lasting change (and ours too), is by seeking a transplant of the heart – rejecting the evil within, and embracing the cleansing power of God instead, which alone makes us righteous people and deals with even the darkest area of our hearts. And we do this by coming before Jesus and prayerfully asking for His forgiveness, which was made available to all, because of what He did for us on the Cross, 2,000 years ago. For “everyone has sinned” and fallen “short of God’s glorious standard” (Romans 3:23, NLT) due to the way in which we have lived our lives. And as a result, we need fixing. For if we don’t receive that heart transplant, we will only be caught in sin’s binding grip, eventually receiving “the wages of sin (which) is death” (Romans 6:23, NLT) for all of eternity – separation from God as punishment for our sins.
 
But God, through the work of His Son Jesus Christ, offers a once-and-for-all heart transplant today. For if we acknowledge our wrongdoing and turn from it, we can be forgiven and enter into an eternal friendship with God. And this was made possible by God when He sent His Son to pay the price which we owed to Him, in giving His life for us on the Cross, where He was brutally crucified as the “…offering for our sin”, so “that we could be made right with God through Christ” (2 Corinthians 5:21, NLT), and avoid eternal death. And so, if we ask for His forgiveness and choose to obediently follow God for the remainder of our days here on Earth, He promises He will: “give you a new heart” and “put a new spirit in you”, removing a “stony, stubborn heart” to “give you a tender, responsive heart” instead (Ezekiel 36:26, NLT). It’s an offer that is available to all today (even the grinchiest among us), enabling those who respond, to live in freedom from the weight of sin, with everlasting joy, hope, love and peace – not just that which we find at Christmas time.

Challenge:
 
Why not prayerfully invite a friend or family member who doesn’t yet know Jesus, to watch How the Grinch Stole Christmas? Use the film’s themes to ask them what they thought of the film, if they spotted any links to Christianity and what they might think of the Gospel’s response to this subject.

If you feel able to, ask them what they think about the film’s understanding of what it means to have a heart – is that where our sense of goodness comes from? Can it be ‘enlarged’, just as the Grinch’s was, filled with goodness? Ask them what they think is the reason for the darkness which overflows within the Grinch’s heart. Is anyone truly to blame for the way he acts, or is he alone responsible for the way in which he reacts to the situations he is faced with?
​
Prompt them to consider the state of the Grinch’s heart – do they think it’s possible that a heart be can be changed with the ease shown in the film? Go on to discuss the lifesaving, life-changing gift of salvation, saying that God, through the sacrifice of Jesus, showed His love for us, to make a way so that nobody would have to live apart from Him in hell, for eternity. Instead, God is in the business of making hearts clean, so we might enter into relationship and eternity with Him. Take the opportunity to share the hope of the Gospel message with them – noting that God is the One alone who cleans us up and saves us from the grip of darkness now, but also in eternity too. Then, invite them (if you feel prompted to by God) to consider accepting Jesus into their life today.

Prior to watching the film for yourself, however, take a moment to pray that God would speak to you through the film. If you feel comfortable, pray this prayer over all of your future, film-watching experiences:
 
Dear Lord, as I watch this film, I ask that you would be present here with me. Highlight to me anything within it that is honourable, anything that can be used in conversation for your Kingdom purposes. Amen.
 
How the Grinch Stole Christmas is now available to rent through YouTube and Amazon Prime Video.
​

​Please note: The following text contains spoilers. Viewer discretion is also advised – this film is rated ‘PG’. For more details on the film’s content, read Christian Spotlight On Entertainment’s review:
https://christiananswers.net/spotlight/movies/2009/christmascarol2009.html

Fred (Colin Firth): “There are many things from which I have derived good and have not profited. Christmas being among them. But I have always thought of Christmas as a kind, charitable time. The only time when men open their shut-up hearts and think of all people as fellow travellers to the grave and not some other race of creatures bound on other journeys. And therefore, Uncle, although it has never put a scrap of gold or silver in my pocket, I believe it has done me good, and I say, God bless it!”
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In February of 1978, famed music journalist Greil Marcus described Al Green’s The Belle Album as carrying “a sense of liberation and purpose deep enough to make the sinner envy the saved”. Forty-two years on, Marcus puts into words so eloquently, the exact way I feel towards 2009’s A Christmas Carol. This visually striking adaptation of the Charles Dickens literary classic is by no means perfect and was met with only faint praise upon its release. Yet, I have always found there to be something so undeniably true in Ebenezer Scrooge’s ‘conversion’ story, albeit an ostensibly secular one, that I have been drawn back to it annually from the moment I first laid my eyes upon it. Yes, this is a tale comprised of motifs which feel as old as time itself, but regardless of however many adaptations we might see of it, or how many times I watch it with my family, this rendition will forever remind me of the spiritual encounter I had and continue to have, with the living God.

In this largely faithful adaptation, Jim Carrey stars as the miserly, inconsiderate self-absorbed businessman Ebenezer Scrooge, who has mostly withdrawn from society, reappearing only to terrorise the poor into paying that which he is due. One could be forgiven for loathing Scrooge, but I can’t honestly help but pity this frail, dejected curmudgeon. His once bright prospects as a young businessman and husband have long since disappeared, leaving him alone with only a hardened heart and the money that he has hoarded for himself. Regardless of whether he would admit it or not, I have always felt that Scrooge ultimately seeks salvation. He is miserable, but perhaps seems aware that his ostracization is of his own doing – initially a positive result for this seemingly heartless recluse. The process of confronting the weight of his mistakes, in order to be set free however, appears too demanding and agonizing. He is, in a sense, representative of us all when we choose rebellion against God instead of embracing the cure for eternal death, that is Jesus Christ.

Throughout the film, we watch as the Ghosts of Christmas lead him to revisit the most painful, regrettable moments of his life – from idolising money over loving his fiancé as he should, to hardening his heart in the face of the poor and needy, who require aid. It’s a process throughout which I found myself strangely mourning for him, regardless of whether he was embittered by the hand that life dealt him, or simply chose to be and was therefore unable to see what he had become. What remained clear to me throughout, however, is that we too are able to call to mind a series of events which we regret, just as Scrooge does. For human fallibility is unavoidable, as the Apostle Paul teaches: “all have sinned and fall short of the glory of God” (Romans 3:23, NRSV). The Bible teaches that humankind’s inherent nature is to rebel against God and make mistakes (deliberately or otherwise), witnessed in the Garden of Eden and beyond. In fact, as Scrooge trudges through the cold, harsh streets, we see that he is completely unaware of the pain he is causing those around him, which reminded of a Psalm of David: “But who can detect their errors? Clear me from hidden faults.” (Psalm 19:12, NRSV). Before coming to Christ, the Bible teaches that we are blind to every single one of our sins, and are, in almost all cases, content to be so. But the sins we commit also form a blockage between us and our Creator, preventing us from seeing Him, receiving His gift of friendship and eternal salvation.
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​Intriguingly, however, this adaptation drives home the crushing reality of sin. Like the Bible teaches, the film posits that Scrooge is in dire need of liberation from the invisible chains of sin which so often bind us and lead to hell. For if he doesn’t change, Scrooge will receive “…the wages of sin (which are) death” (Romans 6:23, NIV), and he will not only experience physical death therefore, but a spiritual one too. So, his one chance of receiving salvation comes in the form of a visitor from beyond the grave - a former business partner named Jacob Marley, who warns him that he now “wears the chains he forged in life” and are symbolic of his sin. The length and weight of Scrooge’s chains are left ambiguous, but I believe it to have been a conscious decision on the part of Dickens, in order to illustrate that his own is, frighteningly, longer and far weightier than his former partner’s.

And so, Marley’s introduction sequence shocks me into looking back upon my life to ask, have I actually spent it well? It’s even led me to wonder if am in fact a ‘good’ person. As if God hadn’t already given me enough to consider, Jacob Marley also takes a moment to furiously lament the misuse of the gift which was his life. “I was blind! Blind! I could not see my own life, squandered and misused! Oh, woe… OH, WOE IS ME!” he wails. Knowing that separation from God for eternity is biblically described as the punishment for sin, this moment helped imagined for me what it must be like now for the deceased who, like me, were once tragically and blissfully unaware of their impending fate. Eternal death and hell became a reality for me whilst watching that very sequence. For Marley’s speech indicates that hell is “a place of suffering”, where its guilty inhabitants are sentenced to be “separated from God’s mercy and blessing” and instead receive a fate that is “final and fixed” (Rico Tice, Honest Evangelism: How to Talk About Jesus Even When It’s Tough, Pg. 36-37). Jesus affirms this when He taught in the book of Luke that between Him and the guilty, “a great chasm has been fixed” and therefore “no one can cross from there to us” (Luke 16:26, NRSV).

Understandably, Marley’s harsh warning left Scrooge and I feeling visibly shaken. And as if that wasn’t enough to persuade him to change his ways, the story introduces Scrooge to the first of three more spirits who appears curiously in the form of a candle, possessing a star for a flame and a cap to extinguish its light. Upon his arrival, the room is instantly illuminated, as the being’s “crown sprung a bright clear jet of light”. Blinded by or perhaps fearful of the light, Scrooge begs him to be covered, to which the ghost asks, “would you so soon put out, with worldly hands, the light I give?” It’s almost impossible not to be reminded of Jesus in these moments, especially when the ghost informs him that he is there for Scrooge’s “reclamation”. For an element of Jesus’ God-given purpose is to illuminate the darkness that lives within us - those who are oblivious or ignorant to the perfect light which He gives. In 1 John, the author argues that for us to claim that we are in friendship “with Him while we are walking in darkness, we lie and do not do what is true” (1 John 1:6, NRSV). No, in order for you and me to be a friend and disciple of God, our inherent brokenness must be addressed. The truth has to be brought to His perfect light, one which is naturally intense and beyond comparison. It could very well blind us, but just as Scrooge nervously chooses to embrace the light and his invitation to examine his life, warts-and-all, I too made that decision. For Scrooge, the spirit offers his hand towards him as a friend would and so too does Christ.
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​In receiving it, Scrooge is treated to a literal, “heavenly perspective of man’s world” - one “not many mortals are granted”. But it is also figurative, in the the sense he has been given an unlikely opportunity to have the error of his ways revealed and avoid the same fate as his business partner. And God, through the work of His Son Jesus Christ, offers that opportunity to us today. In spite of our ignorance, God implores us to acknowledge our sin for what it is and to turn from it, made possible by sending His Son to pay the price which humanity owed, when He gave His life for us on the Cross. He was brutally crucified on the cross as the “…offering for our sin”, so “that we could be made right with God through Christ” (2 Corinthians 5:21, NLT), and avoid eternal death.

In accepting that we are flawed and in need of salvation isn’t easy but doing so not only saved me from a hellish eternal existence and opened me up to the possibility that I could be better than the worst offence I have ever committed. Through doing so, Scrooge’s entire outlook on life was forever changed and so was mine. Suddenly, Scrooge didn’t want to ignore the needy or misuse his power (much to the confusion of society). And whilst Scrooge’s story is a work of fiction, to God, such a process is entirely possible. For Him, if we accept Christ into our lives and turn from our sin, we “are a new creation” whose old lives have “passed away” and “become new”, as it written in 2 Corinthians 5:17 (NRSV). It is now impossible to watch A Christmas Carol without shedding tears of joy alongside Scrooge, which in turn propels me to share of my liberation from the chains of sin and encourage more non-Christians to experience this film, so that they too might envy the saved just as I did.
 
Challenge:
 
Why not prayerfully invite a friend or family member who doesn’t yet know Jesus, to watch Disney’s A Christmas Carol for themselves? Use the film’s themes to ask them what they thought of the film, if they spotted any links to Christianity and what they might think of the Gospel’s response to this subject.

If you feel able to, ask them what they think about the film’s understanding of what it means to be good – can someone as evil as Scrooge truly change their ways, or is the film just full of wishful thinking? Ask them whether they consider Scrooge’s actions to as bad as the film does – does he deserve to be as unhappy as Marley after death? Or do they think that even he deserves a second chance?
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Prompt them to consider Scrooge’s wrongdoing and how Marley says it will weigh upon him more heavily in eternity – do they think that they are perhaps forming a chain in their life today? Go on to breach the subject of salvation, saying that God, through the sacrifice of Jesus, showed His love for us for us and that he didn’t want anyone to live apart from Him in hell, for eternity. Instead, God is “not wanting any to perish, but all to come to repentance”, so that they might enter into relationship with Him. Share that 2 Peter 3:9 verse with them and take the opportunity to share the hope of the Gospel message with them – they even they, who are just as bad as Scrooge in God’s eyes, can be saved. Then, invite them (if you feel prompted to by God) to consider accepting Jesus into their life today.

Prior to watching the film for yourself, however, take a moment to pray that God would speak to you through the film. If you feel comfortable, pray this prayer over all of your future, film-watching experiences:
 
Dear Lord, as I watch this film, I ask that you would be present here with me. Highlight to me anything within it that is honourable, anything that can be used in conversation for your Kingdom purposes. Amen.
 
Disney’s A Christmas Carol is now available to stream through Disney+.
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Please note: The following text contains spoilers. Viewer discretion is also advised – this film is rated ‘12’. For more details on the film’s content, read Christian Spotlight On Entertainment’s review:
www.christiananswers.net/spotlight/movies/2000/payitforward.html
 
Trevor McKenney: “I think some people are too scared, or something (to pay it forward). I guess it's hard for people who are so used to things the way they are - even if they're bad - to change. 'Cause they kind of give up. And when they do, everybody kind of loses.”
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​If you identify yourself as a realist or a cynic, I will forewarn you: Mimi Leder’s Pay It Forward might just provoke an eye-rolling for the ages. Foolishly or otherwise, it’s screenwriter Leslie Dixon (loosely adapting Catherine Ryan Hyde's novel of the same name) believes wholeheartedly in the notion that humanity has the potential to overcome their most selfish, foolish, regrettable behaviour, and replace it with altruistic tendencies. In his review, Chicago Sun-Times critic Roger Ebert, responded to the film’s central conceit coldly, and with burst-your-bubble scepticism: “It's a seductive theory, but in the real world, altruism is less powerful than selfishness, greed, nepotism, xenophobia, tribalism and paranoia. If you doubt me, take another look at the front pages.”

Whilst I emphatically disagree with Mr. Ebert’s sentiments, I believe I understand why he responded in such a manner. Looking around us, you’d almost be forgiven for thinking that the world was irredeemable, that it had gone too far this time in its pursuit of evil. But for Christians such as myself, we live in the knowledge that there is a living hope – Jesus Christ, the One who can redeem and restore all things to right-living and relationship with their Creator. So, Mr. Ebert is correct to doubt, as humanity’s propensity for altruism fails when it works isolation. But when we call upon the One who is infinitely stronger than our greatest minds combined, asking for His help, He is able to give us the ability to live a life of selfless concern for the well-being of others. He gives us the ability to do something extraordinary: ‘pay it forward’.

​In spite of the film’s various plot diversions and revelations of emotional power, the story of Pay It Forward might be summarised thusly: Spurred on by his social studies teacher, Mr. Simonet (Kevin Spacey), 11-year-old Trevor McKinney (Haley Joel Osment) begins a movement of goodwill towards his fellow man, in order to make the world a better place. Rather than decide to pay a favour back, Trevor decides to ‘pay it forward’ by blessing three new people, in three distinctive ways, encouraging them to then go and do the same by reaching three others. His honourable dedication to the task at hand, goes on to not only change his recovering alcoholic mother (Helen Hunt), and his physically and emotionally scarred teacher, Mr. Simonet, but far more people than he could ever have imagined.
 
Unbeknownst to him, Trevor’s actions help to form an ever-growing movement comprised of all the people who have been subsequently affected by Trevor’s decision to ‘pay it forward’. Originating in Las Vegas, Nevada, we watch as this trend of goodwill makes its way to Los Angeles, and even spreads to other areas of the country. It’s through coming into contact with Trevor, or spending time with him, that people are somehow moved to change their ways. Perhaps it’s due to the mere presence of an innocent, young boy, which reminds and encourages them to get back in touch with their own childlike virtues. But perhaps its simpler than that - these are people who find themselves inexplicably blessed, but in experiencing such undeserved favour, are moved to be a blessing to those around them. It’s because they spent time with someone who valued them, believed in them and knew they were destined for better, greater things.
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​In turn, Trevor’s movement (whilst unintentional), reminded me a great deal of Jesus’s intentional time upon earth. He began a movement, of sorts, which was embodied in his day-to-day ministry and subsequently became world-shaping. Jesus specifically chose to spend time with people, imparting upon them His Father’s teachings, encouraging them to turn from their sinful ways and be welcomed into relationship with Him – both in the present and eternal. In doing so, many He came into contact with were healed by Him, and, as a result, went on to speak about Jesus publicly (Mark 1:40-45), whilst others decided to follow Him (Matthew 20:29-34). Some even chose to follow directly in His footsteps, when Jesus called them to be His disciples. These men (‘the twelve’) were perfectly ordinary, but when they came into contact with Jesus and were saved by Him, they too went on to become makers and shakers in their regions, and throughout the ancient world. Take Peter for instance – a fisherman whom Jesus invested time and effort in, because He knew that Peter was destined to do greater things, proclaiming: “I will send you out to fish for people” (Matthew 4:19, NIV). Peter went on to speak about Jesus wherever he was sent, but upon one occasion, he spoke before a mass gathering, where “about three thousand were added to their number (or movement, if you will) that day” (Acts 2:40-42, NIV). Many were blessed and saved by Jesus. So, in turn, they decided to ‘pay it forward’ in tending to people’s physical needs, but also their spiritual, by proclaiming the Good News about salvation for all turn to Jesus.
 
The most distinct similarity between those who came into contact with Trevor and Jesus, was that none of them deserved the favour which was extended to them. Rather, they were offered unconditional favour and grace regardless of who they were, where they came from, or what they had done. And such actions even led to their redemption. But the act of Trevor extending such grace and mercy to those whom society would more than likely turn a blind eye to, is exactly what the Bible teaches that Jesus has done for humanity.
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In fact, Jesus himself was “the Son of Man” who “came to seek and to save the lost” (Luke 19:10, NIV). He was sent to Earth over 2000 years ago, by His Father, God, the creator of the universe, to make a way to save all of those in need of redemption. Just like the broken and needy characters which populate Leder’s film, the Bible teaches that humanity too is in need of redemption. For the author of Romans 3:23 (NIV) writes, "For all have sinned and fall short of the glory of God”, which means that each and every one of us have been touched by the darkness of this world. We have chosen to do wrong in the eyes of God, succumbing to our own selfish desires over His, thereby excluding ourselves from a relationship with the God of the universe. All of us “…have wandered away like sheep. Each of us has gone his own (sinful) way.” (Isaiah 53:6, ICB). But as Leder’s film maintains, we are better than the worst thing we have ever done and can indeed be forgiven. How then is that possible?
 
The Bible teaches that Jesus “died for everyone”, “so that those who receive His new life will no longer live for themselves. Instead, they will live for Christ, who died and was raised for them” (2 Corinthians 5:15, NLT). This “means that anyone who belongs to Christ” will “become a new person”, for when we are friends of God, “The old life is gone; a new life has begun!” (2 Corinthians 5:17, NLT). But this was only made possible through the life, death and resurrection of Jesus Christ, who took the punishment that we deserved when He was crucified and died on the Cross. God wanted us to know just “how much he loves us”, that even “while we were still sinners” (Romans 5:8, GNT) and chose to live apart from Him, He made a way for us to be saved from “the wages of sin”, which “is (eternal) death” (Romans 6:23, NIV) - cut off from our Father in Heaven. We need no longer live in separation from Him, but enter into freedom with God today, by asking Him to forgive us of our sins, welcoming Him into our life and turning away from our old ways of living.
 
Sadly, Trevor’s life is tragically cut short in the film’s final act, and we see that many people come to pay their respects to the young man who inspired so many. It’s a painful moment, in an otherwise uplifting film. But it’s also where the Christ-figure comparisons (sort of) come to an end. Unlike Jesus, there is no miraculous triumph over death for Trevor. But in the film’s final shot, however, we witness many come to pay their respects at the family home – with many more on the way, lighting the streets with candles as they make their pilgrimage to the home. Thankfully, the movement doesn’t die with Trevor, it is lit brightly for all to see, and it reaches untold numbers of people. Something better, and more uplifting can be said for Jesus, however, who upon defeating the power of death, made a way for all to be redeemed and join his life-giving ‘movement’, led by the One who is alive and can reign in our hearts today. For in becoming a friend of Jesus we are blessed with a favour that we could never afford, but that we can always ‘pay forward’, in sharing His name globally, through the power of the Holy Spirit, who empowers us not to do “what your sinful nature craves”, but His will – which is to live a life without sin, and in service to Him.
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Challenge:
 
Why not prayerfully invite a friend or family member who doesn’t yet know Jesus, to watch Pay It Forward for themselves? Use the film’s themes to ask them what they thought of the film, if they spotted any links to Christianity and what they might think of the Gospel’s response to this subject.

If you feel able to, ask them what they think about Trevor’s noble idea to ‘pay it forward’ – would it be a feasible, effective movement in our everyday life? Or do you think that people might laugh at the idea? Prompt them to consider the notion of showing someone favour, regardless of whether they deserve it or not. Is it a foolish thing to do? Go on to breach the subject of Jesus and His undeserved gift of grace which He lovingly showed to us, unconditionally. What do they think about that? If it’s real, is that something worth ‘paying forward’? Later, if they're open to hearing it, take an opportunity to share the hope of the Gospel message with them, mentioning the fact that we have the opportunity to receive the gift of salvation in Jesus today – even though we don’t deserve it. Invite them, if you feel prompted by God, to consider accepting Jesus into their life today.

Prior to watching the film for yourself, however, take a moment to pray that God would speak to you through the film. If you feel comfortable, pray this prayer over all of your future, film-watching experiences:
 
Dear Lord, as I watch this film, I ask that you would be present here with me. Highlight to me anything within it that is honourable, anything that can be used in conversation for your Kingdom purposes. Amen.
 
Pay It Forward is available to rent through Amazon Prime Video and Apple TV (in the UK).
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